The Witcher 3: Wild Hunt Review. Update: I’ve now spent time with every version of The Witcher 3: Wild Hunt, and when it comes to platform differences, the surprises are few, and divergences are a matter of degrees, not orders of magnitude. Watch Red Planet Online Facebook. The original review copy was for the Play. Station 4 release, which sports a higher resolution than the Xbox One’s version, though without a side- by- side comparison, Xbox One owners should have no reason to bemoan the way the game looks: it’s beautiful on all of its platforms. As for the PC version, with rising concern regarding how the game looked at early showings versus how it looks at release, it’s vital to note that The Witcher 3 on PC looks absolutely wonderful, particularly if you have a reasonably powerful machine and can see the game in motion at its highest settings.

Software stability is another concern now that The Witcher 3 has hit wide release. I’ve not encountered anything serious in my many hours of play, though the cliched phrase “your mileage may vary” is always an apt one. My time on the PC has been mostly problem- free, and the frame rate there has remained more consistent than on Play.

Station 4 and on Xbox One, both of which reveal occasional stutters. We’ll report on any major concerns that arise, so look out for news articles on the main Witcher 3 page. All things considered, however, The Witcher 3: Wild Hunt is a fantastic role- playing game on all three of its platforms, and a treat for those that enjoy losing themselves in lush virtual worlds. KV 5/2. 1/2. 01. 5, 1. PSTIn The Witcher 3: Wild Hunt, the sacred is always at war with the profane, and beauty is always at war with blood. The series has always contrasted its world's physical glamor with its intrinsic violence, but never has that contrast been this uneasy, this convulsive.

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That The Witcher 3 depicts the immediate brutality of battle in great detail is not a surprise; many games fill the screen with decapitated heads and gory entrails. It's the way this incredible adventure portrays the personal tragedies and underhanded opportunities that such battles provide that makes it so extraordinary. It is more than its thematic turbulence that makes The Witcher 3 extraordinary, actually. Excellence abounds at every turn in this open- world role- playing game: excellent exploration, excellent creature design, excellent combat mechanics, excellent character progression. But the moments that linger are those that reveal the deep ache in the world's inhabitants. In one quest, you reunite two lovers, one of which is now a rotting hag, its tongue lasciviously lolling from its mouth.

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In another, a corpulent spouse- abuser must find a way to love two different lost souls, each of which test the limits of his affection. Don't worry that these vague descriptions spoil important events: they are simple examples of the obstacles every resident faces. On the isles of Skellige and in the city of Novigrad, there is no joy without parallel sorrow. Every triumph demands a sacrifice. Every horse Geralt has owned is called Roach. Talk about an identity crisis.

As returning protagonist Geralt of Rivia, you, too, face the anguish of mere existence, sometimes in unexpected, unscripted ways. The central story, which sees you seeking your ward and daughter figure Ciri, as well as contending with the otherworldly force known as the wild hunt, often forces this anguish upon you. But it was my natural exploration of the game's vast expanses that proved most affecting. At one point, I witnessed a woman sentenced to death, doomed to starve after being chained to a rock. It's a chilling sentence, of course, but it was only later, when I accidentally sailed past the tiny island where her corpse still rested, that the horror of her punishment sunk into my heart.

The Witcher 3's story did not script this moment; it was merely a passing detail that might have been lost in the waves or overlooked in favor of the harpies circling overhead. Yet there she was, a reminder that my actions- -actions that felt righteous and reasonable as I made them- -allowed this woman to rot in this faraway place. The Witcher 2: Assassins of Kings touched on similar repercussions, but The Witcher 3 makes them personal. Political tensions run as hot as they always have in this series, and your decisions still divert the paths of barons and kings in intriguing ways. But where The Witcher 2's focus on plot came at the expense of characterization, the sequel gives the wartime struggle great heft by giving Geralt intimate connections to every major player. The connection between Ciri and Geralt proves to be the story's strongest driving force, but Ciri is not a damsel to be rescued, though it may seem so at first, especially in this particular world. This is a place where women struggle to find respect as political candidates, as armorsmithing masters, and even as proper members of a functioning culture.

Roasting a crowd of witch hunters is not only satisfying on its own terms, but has a sweet justice to it: the first steps you make in the city of Novigrad lead you to a witch- burning in progress. You can always count on a sorceress to get the job done when you're in the middle of a somersault. Women, as it happens, are also this story's strongest force. If you have played a Witcher game before, you know many of them already. The most powerful of them are former members of the Lodge of Sorceresses, few of them outright likable, and each of them defiant in the face of death. In certain circumstances, you take control of Ciri herself, and she wields swords just as capably as a witcher does.

Her phantom dashes also bring a zippiness to her sections that Geralt lacks.) The occasional dose of gratuitous toplessness sometimes proves to be a needle scratch, particularly in a sauna scene that seems to have been constructed specifically to get you up close and personal with a woman's anatomy. In other moments, however, the nudity is a natural element of a scene's sensuality, such as the tutorial scene that features Yennefer and Geralt sharing a relaxed intimacy that surpasses the obvious physical connection. The Witcher 3 is enormous in scope, though "big" is just a descriptor, a statement of neither good nor bad.

It is fortunate, then, that The Witcher 3 does not subscribe to the "make a big world and fill it with copy- paste content" design philosophy. Instead, it finds a nigh- perfect sense of balance between giving you things to do and allowing its spaces to breathe. You follow a path not just because there's a question mark on your map, but also because it must lead somewhere new and interesting.

The intrigue builds naturally: Every quest is a story of sadness or triumph waiting to absorb you, asking you to make decisions that change the landscape in various ways. You won't always know what the consequences are; some decisions have noticeable, game- altering repercussions, while others barely draw your gaze. But the consequences are there, and you often notice them, even though the game doesn't go out of its way to call attention to them. The Bloody Baron shows intriguing personal growth over the course of his story.

No relation to the ghost at Hogwarts of the same name. Of course, story quests, side quests, and monster- killing contracts typically involve the same set of activities: killing, talking, and activating your witcher senses, which reveal footprints and scent trails and turn Geralt into a particularly violent private investigator.

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