Song of Myself. Won't you help support Day. Poems? 1. 81. 9- 1.

I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form'd from this soil, this air. Born here of parents born here from parents the same, and their. I, now thirty- seven years old in perfect health begin. Hoping to cease not till death. Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard.

Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked.

I am mad for it to be in contact with me. The smoke of my own breath. Echoes, ripples, buzz'd whispers, love- root, silk- thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing.

The sniff of green leaves and dry leaves, and of the shore and. The sound of the belch'd words of my voice loos'd to the eddies of.

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1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul.

A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full- noon trill, the song of me rising. Have you reckon'd a thousand acres much? Have you practis'd so long to learn to read?

Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, (there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the.

But I do not talk of the beginning or the end. There was never any more inception than there is now. Nor any more youth or age than there is now. And will never be any more perfection than there is now.

Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn'd and unlearn'd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul.

Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself.

Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be.

I am satisfied- -I see, dance, laugh, sing. As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road.

And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead? Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues.

The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill- doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again.

But they are not the Me myself. Apart from the pulling and hauling stands what I am.

Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest.

Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with.

I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you.

And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me.

And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass.

And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them.

And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord.

A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic.

And it means, Sprouting alike in broad zones and narrow zones. Watch Victory Mediafire on this page. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I.

And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass.

Ciri - Hi actors it’s Wendy Lane right talent  manager at waw entertainment in Los  Angeles California and I’m going to talk  to you for a minute about what acting is  because I think there is a huge  disconnect between people who want to be  an actor and actors so let’s just start  by saying acting is not pretending  acting is not getting up on stage and  pretending to be something pretending to  have a feeling  pretending to respond to someone or  pretending to say something to someone  pretending to feel something or  pretending to be angry acting is being  those things acting is being angry being  sad being happy being loving being  afraid being concerned while you are  basically speaking the lines that  someone else has written so what is not  real is that the words are not the words  are written by someone else they’re not  organic to your present moment  you’re not if that writer wasn’t there  writing it you wouldn’t be saying it  you’d be saying whatever it is you  really feel that you really are  experiencing but as an actor someone  else is writing the words and you are  reading those words learning those words  and now you have to put them into the  part of you that is I don’t say that you  have to bring those words through a  human being to life they have to come  through the human feeling. The human  emotion that you have within you  so that they become real so that they  land on a person who’s listening they  can’t just be written on a piece of  paper and then you say them otherwise  that’s very robotic that’s that’s  reciting a line they actually have to  come through you as the instrument you  as an actor are the instrument and the  words have to come through the human  instrument and come out as a human being  would say it as a human being would feel  it as a human being would experience it  and a human being experiences genuine  emotion and then says how they feel or  think experiences genuine reaction to  something and then says how they feel or  think or they pull away because of how  they feel or think so your job as an  actor is to hear those words that the  writers written and then make a  character come to life like decide okay  who is this person this person where do  they come from how do they feel what’s  happened in their life that’s made them  who they are what do they want out of  their life what do they want out of that  moment that you are talking with someone  what do what are they afraid of you have  to invent all those things you have to  think about like say you get a script  and you know you have words on a page if  it’s an audition and you get the script  half an hour before you go in an  audition  part of what an acting class teaches you  is how to break down a script and make  those choices when you hear the word  choices. You’re talking about things like  how old is this character where did they  just come from before they had this  moment that’s on the page what are they  afraid of what do they want what do they  need more than anything in the world  what’s what are they upset about if they  don’t get what they need what’s going to  happen to them because human beings are  driven by five  your love need and want they are either  in fear of something losing something  and fear they might not get something  that they want they are searching for  love so human beings are living from  those places so when you create a  character which is somebody else’s idea  of of whatever they’ve written you have  to figure out okay now how do I make  this character human I have to figure  out what they want what they love what  they fear what they need and then I have  to make decisions about that so let’s  say the line is you know I’m I really  need your help on this um I can’t do  this by myself  I really need your help it is not going  to work if you just say it I really need  your help on this aside really need your  help you have to think about and the  choices are if I don’t get their help I  am going to be kicked out of my house  and that is that that then becomes kind  of desperation that you get their help  that’s a choice you make that makes the  way you say it completely different then  I need your help  which is just I need your help that just  means nothing but if you are thinking I  need your help because I am NOT going to  have any place to live in a couple days  if you don’t help me I’m going to be on  the street like literally you have to  imagine I’m gonna have to bring the few  things I have and put them down here on  the street and sit out here by myself  because I’ll have no place to go because  there’s no one else for me and I really  need your help I can’t do this by myself  that’s how you make a choice that fuels  the emotion of what you’re saying you’re  not gonna cry and ruin my makeup  but you have to feel those things I mean  it’s using your imagination yes but it’s  also you know seeing what would happen  to you if you didn’t get their help  because once you see what would happen  to you if you didn’t get their help  it becomes urgent for you to get their  help and the way you say the line  becomes real the way because you feel it  acting is feeling real emotion in  made- up circumstances. So let’s say you  change the way you say completely what  if you don’t need their help at all what  if like your help is the last thing I  need oh yeah I really need your help  yeah I need your help like I need a hole  in the head  okay um I really yeah I really need your  help you make a choice that this person  really doesn’t need their help this  person is the most unhelpful person on  the face of the earth they’ve never been  helpful and in fact you’re angered that  they haven’t been helpful you know what  I need your help I can’t do it without  you  you’ve made a decision now to be  circuits make the decision to be  sarcastic it just comes out sarcastic  because you’re thinking the thoughts of  the character the thoughts of the  character is what you’re supposed to be  thinking when you’re acting not your own  personal thoughts okay you’re thinking  ah the person I’m talking to right now  is an asshole okay I’ve asked for their  help before they never give it to me  they’ve let me down over and over and  over again this person is the most  disappointing person in the world and  now you’re gonna ask for my help  ah yes I do I need your help.