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Rush Hour Blu- ray. Rush Hour (1. 99.

PLAY TRAILERRush Hour Blu- ray offers solid video and great audio in this fan- pleasing Blu- ray release. As the FBI scrambles to save the life of the kidnapped daughter of the Chinese Consul, the. Hong Kong police detective Lee to find the girl. Unwilling to have their. FBI assigns a rogue LAPD detective to keep. Detective Lee away from the case at any cost. Carter, the detective, covertly embarks on a.

Lee. Within hours, Carter realises he. Hong Kong counterpart, who has seen through his ruse, given.

Carter the slip, and landed in the middle of the FBI's investigation. Both excluded by the FBI.

For more about Rush Hour and the Rush Hour Blu- ray release, see Rush Hour Blu- ray Review published by Kenneth Brown on December 1. Blu- ray release scored 3. Director: Brett Ratner. Writers: Jim Kouf,Ross La. Manna. Starring: Jackie Chan,Chris Tucker,Tom Wilkinson,Philip Baker Hall,Mark Rolston,Tzi Ma» See full cast & crew. Everybody was kung fu fighting! Those cats were talkin' fast as lightning! Watch Carnage Park Online Full Movie.

Reviewed by Kenneth Brown, December 1. Whatever happened to Chris Tucker? I know it's only been three years since his last film (Rush Hour 3 as it turns out), but that's centuries in Hollywood. Not that he was that busy on the Big Screen to begin with.

Since teaming up with Bruce Willis as a scene- swiping intergalactic media star in The Fifth Element and wading into leading- man waters with Charlie Sheen in Money Talks (ouch), Tucker has taken a small role in Jackie Brown, helped launched the Rush Hour franchise, emerged from hiding for two sequels and.. A Michael Jackson tribute special here, a BET awards ceremony there, but nothing of note. Tracking down Jackie Chan though, that's a cinch. Since Rush Hour was released in 1. Hong Kong's greatest export has starred in over two- dozen films, served as executive producer on more than twenty productions, written several screenplays, endeared himself to American audiences and become a true international sensation. Ironic, isn't it? Chan, the humble, soft- spoken martial artist, is virtually everywhere while Tucker, the brash, outlandish comedian, is nowhere to be found.

Ah well, perhaps it's for the best. I'd rather Tucker keep a low profile, team up with an intensely likable talent like Jackie Chan, and star in a derivative but entertaining action- comedy once every few years - - fast and funny genre romps like Rush Hour - - than answer any and every casting call Hollywood issues for a lanky black comedian with a tommy- gun tongue. When the daughter (Julia Hsu) of Solon Han (Tzi Ma), a respected Chinese consul, is kidnapped on her first day of school in Los Angeles, the FBI arrive in full force.

Fearing the worst though, Han quickly calls in his own specialist, Detective Inspector Lee (Jackie Chan), a Hong Kong police officer who's successfully dealt with situations like this before. Of course, the prospect of outside interference and the risk of a PR nightmare doesn't exactly sit well with the FBI.

Before Lee can even step foot in the States, FBI Special Agents Russ and Whitney (Mark Rolston and Rex Linn) dump their latest problem on LAPD Captain Diel (Philip Baker Hall). Frustrated at being put in a corner, Diel assigns his worst detective to babysit Lee: a cocky, outspoken upstart named James Carter (Chris Tucker).

With the Buddy Cop circle now complete, Lee and Carter have to put aside their personal and cultural differences, track down a vicious assassin (Ken Leung), uncover the identity of an elusive crime lord known as Juntao, recover Han's daughter and figure out why she was kidnapped in the first place. Because, you know, the FBI agents in films like Rush Hour couldn't find their reflections in a mirror. Director Brett Ratner doesn't reinvent the Buddy Cop wheel, no matter how hard he tries.

Rather than grab hold of the genre Lethal Weapon built, he simply rests his hopes on Chan and Tucker's chemistry, amps up the physical comedy, and tosses as much kung fu and gunplay into the mix as he can cram in. Bad timing. Lethal Weapon 4 hit theaters two months earlier with a similar East- meets- West caper and its own Chinese master martial artist.) Instead, Rush Hour unfolds with passionate but predictable comic bravado, action erupts for the sole sake of the audience, and Chan, wielding everything he lays a hand on as a viable weapon, is the only one who seems to have any surprises tucked up his sleeves. Whereas Chan loads each meticulously choreographed fight with anxious energy and convincing spontaneity, Tucker fires from the hip and hopes the high- pitched insanity he brandishes earns a laugh. Had the Friday- alum drawn more inspiration from Eddie Murphy than Martin Lawrence, channeled more Beverly Hills Cop charisma than Bad Boys tantrums, his Detective Carter might be strong enough to last a few rounds with Detective Inspector Lee, and Rush Hour might not be such a lopsided Buddy Cop offering. No such luck. Tucker scrambles over the top of over- the- top - - at Ratner's insistence, no doubt - - and the resulting verbal diarrhea and raspy dry heaves are enough to make anyone sensitive to his antics nauseous.

Yet somehow, by some strange Ratner- conjured magic, it works. As shamelessly unoriginal as it is, as conventional as it can be, as grating a performance as Tucker sometimes delivers, yes, Rush Hour actually works. How? I've been dropping his name all along: Jackie Chan. Ratner's flashbang action sequences could have been loud, unruly and.. But Chan fuses each dust- up and beat- down with such soul, such irresistible fun, that every showdown is fresh, every chase frantic and every shootout thrilling. Likewise, Tucker's ear- piercing presence could have easily drowned out everything around him.

But Chan's sincerity subdues his loud- mouthed co- star's bluster in fifteen short minutes, and the two actors, graceful yin and manic yang, prove to be quite the cleverly cast pairing. Their on- and- off camera chemistry is clear and their penchant for trading quick- witted barbs keeps things clipping along nicely, even if racially charged punchlines and familiar stereotypes are played for awkward laughs. With Ratner, the duo become a trio, and an effective one at that. Ratner isn't Hollywood's greatest action filmmaker, but the man knows how to keep things exciting; a feat that isn't as easy as most filmfans tend to think. Chan isn't Hollywood's most nuanced actor, but with so many skills at his disposal, it hardly matters. Tucker isn't the most lovable comedian Ratner could have cast, but it doesn't take long to see why he's earning royalties on a three- film franchise.

And Rush Hour? Rush Hour may not take the Buddy Cop crown (or come close enough to touch it), but it isn't a complete bust either. Rush Hour hits the streets with a somewhat consistent 1. VC- 1 encoded presentation - - soft shots are fairly common, nighttime scenes are problematic, and grain, though clean and refined on the whole, is occasionally a bit soupy - - but, more often than not, Adam Greenberg's original photography seems to be the culprit. Warner's video transfer, on the other hand, is a fairly impressive one, and Ratner's action comedy, now twelve years old, looks pretty good.

Vibrant East Asia reds and golds collide with vivid Los Angeles greens and blues in an already colorful image, skintones are cool but lifelike, and black levels are deep and satisfying (minus the muted, noise peppered skies that frame some of the aforementioned nighttime shots).