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WTF to STFUI cannot recall the last time a film made me as angry as Darren Aronofsky’s mother! Maybe never. (Yes, the title is most emphatically with a lowercase “m” and an exclamation point. And yes, that’s emblematic of what’s making me so angry.) As mother! I found myself actually clenching my jaw with ever- increasing fury as Aronofsky’s head wended its way further and further up his own cinematic ass only to declare just how delicious his farts smell. This is a filmmaker for whom mysticism and trippiness have been essential components of his work since the beginning, since his feature debut with 1. Pi… and I’ve often been a big fan of that.

I loved his last film, 2. Biblical fantasy Noah.) But never before like this. Never before has an uncomfortable ugliness he was exploring landed with such repulsive pointlessness, such transparent predictability. Aronofsky is intent on presenting to us in faux metaphysical trappings a “truth” he seems to believe is secret and cryptic yet that is, in fact, utterly banal and inarguable.

Emma Swan, also known as the Savior and the Greatest Light, formerly as the Dark One or the Dark.

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He has given us a grotesquely wrapped gift box that contains nothing but shredded newsprint sprinkled with a bit of horseshit.“Mother” tries to imagine what color looks like, but her puny ladybrain is not capable of this. I’m sure Aronofsky — who wrote the script as well as directed — would say it is.

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Allegory and metaphor are what you find hidden underneath a top layer of story that stands on its own. Nothing here makes a damn lick of sense — not even in a nightmarish, fever- dream sort of way — except as the literal sequence of events that plods across the screen, and the “characters” are nothing more than cardboard stand- ups representing themselves. No one has a name here, but the press notes and the credits refer to Jennifer Lawrence’s (Passengers, X- Men: Apocalypse) character as “Mother,” even though she does not become a mother until halfway through the film, and even though it actually does not seem likely during that first half that she will ever become a mother. Motherhood is simply her inevitable fate, I guess. Mother has no existence outside the huge, rambling mansion in the middle of nowhere where she lives with her husband (Javier Bardem: Pirates of the Caribbean: Salazar’s Revenge, The Gunman).

He does have an external existence: he is not “Father” but “Him.” He is able to leave the house and venture far beyond their middle- of- nowhere — she never does — and he is a writer, a poet, someone with adoring fans eagerly awaiting his next book, someone with work that bears no connection to her, beyond how, of course, she serves as his muse, his “inspiration.” She literally does nothing but serve him: she is renovating the house, which burned down before they met. She wants to “make a paradise” for him.

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  1. Kathrin Romary Beckinsale (born 26 July 1973) is an English actress. After some minor television roles, she made her film debut in Much Ado About Nothing (1993) while.
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  4. David James Archuleta (born December 28, 1990) is an American singer-songwriter, musician, and actor. At ten years old, he won the children's division of the Utah.
  5. Fired after just 20 months at the helm of Epic and tagged with destroying the label, one source tells THR that job "was a no-win situation" for the career songwriter.
  6. Darren Aronofsky’s self-pitying cinematic rending of garments is repulsive, transparent, and pointless. A grotesquely wrapped gift box of utter banality.

She has no other desire. She has no personality or purpose beyond that. We cannot even call her self- abnegating: she doesn’t appear to have had any self to begin with. She might actually be a manifestation of the house, which has a bloody heart and a bleeding vulva — yes, the house has these things. The house is as alive as she is.

Or she is as dead as a house. Anyway, paradise is invaded: one of Him’s stalkerish fans, Man (Ed Harris: Run All Night, Gravity), stops by for a visit, and won’t leave. Later, Man’s wife, Woman (Michelle Pfeiffer: Dark Shadows, New Year’s Eve), arrives and makes herself obnoxiously at home. Woman is also pretty much defined solely as a mother, to adult sons Oldest Son and Younger Brother (played by real- life brothers Domhnall [The Revenant, Star Wars: The Force Awakens] and Brian Gleeson [Logan Lucky, Snow White and the Huntsman]). If Mother’s “paradise” comment was a tip- off, the Cain- and- Abel dynamic between the adult sons cements it: Aronofsky is going to wallow in a tortured literalism not only about literary creation but capital- C Creation, but only from a narrow and abhorrently misogynistic perspective: men create, and Create, and women suffer for men’s art, and for men’s religion, and that’s just the way it is, now and forever.

Dude, we know. This is not something you discovered. Or did you honestly only just learn this?) In Aronofsky’s eye here, women do not create — beyond giving birth to sons for their fathers to do with as they please — and there is no vision or imagination that comes from the mind of a woman: Mother dresses in drab neutrals, and she’s painting Him’s house in the same noncolors. The creativity of men, however: Wow!

It is chaotic and violent, apocalyptic, even. It thrives on chaos and violence. Him craves that excitement, and encourages it, and too bad if Mother will become a victim of it.“Mother” tries to imagine what life beyond the house is like, but her uncreative ladybrain fails her. Mother exists for no purpose in this tale except so that abuse may be heaped upon her in the service of Him, and so that she may be venerated by Him for it. Watch Intersections HD 1080P.

But that is also the purpose of Mother to mother! The most generous interpretation of Aronofsky’s intent here is that he is somehow condemning the reduction of women to dehumanized objects and brutalized symbols in both the overarching mythology of our culture and in the prosaic daily operations of Big Entertainment, such as — ahem — the making of movies and the resulting stories that end up on the screen. Aronofsky may even think he is sympathetic to Mother: the entire film is seen through her eyes, and intimate handheld cameras give us her dizzied, sickened perspective on events that are horrifying and menacing her. But it’s the same hatred for women masquerading as feminism that a slasher flick engages in when it sexualizes a final girl’s terror for the titillation of the audience. You don’t counter the awful crap that gets piled on women by our culture, High or Low, by piling on more of the same awful crap. See also: Ex Machina and Under the Skin for two other recent contemptible attempts by male filmmakers to have their feminist cake and their misogyny too.) If mother!

Mother” wonders why her husband loves his fans more than her, but her sad ladybrain finds no answers. But the worst, the absolutely most infuriating thing about mother! Woe is the male- creator- god, so afflicted by his talent, so tormented by his doubt, so wracked by artist’s block! Look at the damage the love of his fans, and his love for his fans, causes!

Look what his genius made him do to his inspiration, his muse! It hurts him more than it hurts her, don’cha know. This is how abusers talk.

David Archuleta - Wikipedia. David James Archuleta (born December 2. American singer- songwriter, musician, and actor. At ten years old, he won the children's division of the Utah Talent Competition leading to other television singing appearances.[6] When he was twelve years old, Archuleta became the Junior Vocal Champion on Star Search 2.[6] In 2. American Idol.[7] In May 2.

In August 2. 00. 8 Archuleta released "Crush", the first single from his self- titled debut album.[6][8][9][1. The album, released three months later, debuted at number two on the Billboard 2. U. S., and over 9. In October 2. 01. The Other Side of Down, featuring lead single "Something 'Bout Love". On March 2. 8, 2. Archuleta left on a two- year hiatus to be a missionary of The Church of Jesus Christ of Latter- day Saints in Chile, but stated that he will continue his music career after that.[1.

As of February 2. Archuleta has sold 1,1. United States.[1.

In March 2. 01. 2, Archuleta released his fourth album, Forevermore, exclusively in the Philippines. This was his first Original Pilipino Music album, composed of several covers of Filipino songs. The album was certified gold in the Philippines (1. June 2. 01. 2.[1. Archuleta's fifth album, Begin, was released on August 7, 2.

United States. A compilation album titled No Matter How Far was released on March 2. His sixth studio album Postcards in the Sky was released on October 2. Early life[edit]Archuleta was born on December 2. Miami, Florida, to Lupe Marie (née Mayorga), a salsa singer and dancer, and Jeff Archuleta, a jazz musician.

His mother is from Honduras and his father is of Spanish–Basque, Danish, Irish, German, and Iroquois descent.[1. He speaks fluent Spanish.[2. Archuleta has four siblings.[2. His family moved to the Salt Lake City suburb of Sandy, Utah, when he was six years old. He attended Murray High School, and graduated in 2.

Archuleta earned his Eagle Scout award in 2. Boy Scouts of America.[citation needed] When Archuleta, a member of The Church of Jesus Christ of Latter- day Saints, was 2. Santiago, Chile.[2. Archuleta is also a graduate of Barbizon Modeling and Acting School in Salt Lake City.[2. Archuleta currently resides in Nashville, Tennessee.[2. Archuleta started singing at the age of six, inspired by a Les Misérables video.

That musical is what started all of this," he said.[2. He started performing publicly at age ten when he participated in the Utah Talent Competition, singing "I Will Always Love You" by Dolly Parton; he won the Child Division.[2.

Music career[edit]2. Star Search and musical beginnings[edit]In 2. Archuleta sang on several episodes of the television show Star Search.[3. He ended up as the Junior Vocal Champion on Star Search 2, losing the Junior Grand Champion title to Tiffany Evans.[3. On one episode, he sang against then- 1. Alexandréa Lushington, who became a "top 2.

American Idol alongside Archuleta.[3. Around the second year of being on Star Search he started focusing on the lyrics, "I didn't even pay attention to the lyrics when I was 1. Archuleta's competing on Star Search was preceded by an appearance on The Jenny Jones Show, meeting the finalists from American Idol's first season, for whom he performed a spontaneous a cappella rendition of "And I Am Telling You I'm Not Going" from Dreamgirls. He received praise from Season 1 winner Kelly Clarkson,[3. CBS's The Early Show. The year after Star Search, he found out he had partial vocal paralysis but declined risky surgery and has said he feels he is almost fully recovered.[2.

He limited his singing for specific occasions like Stadium of Fire, the Independence Day celebration at Brigham Young University Stadium.[3. Archuleta made initial attempts at songwriting and arranging music after his Star Search experience and has written at least three songs.[3. His first singles in 2. Sunny Hilden "Dream Sky High" and a song he had written by Yani Gileadi "Don't Tell Me".[3. American Idol and David Archuleta[edit]Archuleta received his ticket to the Hollywood auditions at the San Diego tryouts – held at Qualcomm Stadium at the end of July 2.

John Mayer's "Waiting on the World to Change" with judge Randy Jackson spontaneously joining in to sing the background "waiting" in the song.[2. He was sixteen during the Hollywood auditions and attended school while a part of American Idol'sseventh season.[7] A parent/guardian was required to be there because he was a minor.[7] Archuleta also took advantage of the decision to allow contestants to play musical instruments when he accompanied himself on piano for his performances of "Crazy", "Another Day in Paradise", and "Angels". During the 1. 97. Archuleta sang the John Lennon song "Imagine", omitting the earlier verses in favor of the last one. Los Angeles Times columnist Ann Powers speculated that he wanted to avoid singing "no religion too" because of his faith.

As a Mormon, he's unlikely to espouse the song's agnostic ideal", she wrote.[3. However, he did sing the entire song on Good Things Utah when he was thirteen. When asked by judge Randy Jackson why he didn't sing the first verse, Archuleta said the third verse was his favorite because it has "a great message."[3.

After his performance of "We Can Work It Out", which judge Simon Cowell called "a mess", Entertainment Tonight reported that Archuleta was feeling pressure from his father, Jeff Archuleta, who "reportedly yelled at" his son after a recording session the previous night.[4. Jeff Archuleta, in an interview with Us Weekly, denied the claim.[4. A May 2. 00. 8 Associated Press article reported that Jeff Archuleta had his son add a lyric from the Sean Kingston song "Beautiful Girls" into an interpretation of "Stand by Me" (from which "Beautiful Girls" samples its bass line), increasing the costs for licensing, and that this had resulted in Jeff Archuleta being banned from American Idol backstage rehearsals.[4. Archuleta defended his father, calling him "a great guy" who keeps him grounded.[4.

During the Top 7 results show, the contestants were split into two groups. In one group was Syesha Mercado, Brooke White, and Kristy Lee Cook. In the other group was David Cook, Carly Smithson, and Jason Castro.

Archuleta was the only one not sorted into a group. He was declared safe after the groups were formed, then was asked to choose the group he thought was safe. He refused, and sat down on the floor of the stage, much as Melinda Doolittle had done the previous season.