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Wiping - Wikipedia. Wiping, also known as junking, is a colloquial term of art for action taken by radio and television production and broadcasting companies, in which old audiotapes, videotapes, and telerecordings (kinescopes), are erased, reused, or destroyed. Although the practice was once very common, especially in the 1.

Older video and audio formats were both much more expensive (relative to the amount of material that could be stored) and took up much more storage space than modern digital video or audio files, making their retention more costly, and there was more incentive to recycle the film for reuse or for silver content than to preserve the content on the film, thus increasing the incentive of discarding existing broadcast material to recover storage space and material for newer programs. The advent of domestic audiovisual playback technology (e. DVD, and particularly with the rise of digital media in the 1. Australia[edit]Australian broadcasters did not gain access to videotape- recording technology until the early 1. Very little programming survives from the earliest years of Australian TV (1.

Some early programmes have survived, however; for example, ATN- 7, a Sydney station, prerecorded (via kinescopes) some of their 1. Autumn Affair (1. The Pressure Pak Show (1. Leave it to the Girls (1.

National Film and Sound Archive,[1][2][3] with soap opera Autumn Affair surviving near- intact, likely one of the earliest Australian series for which this is the case. The Australian Broadcasting Corporation (ABC) erased much of its early output. Much of the videotaped ABC programme material from the 1. This policy particularly targeted older programmes recorded in black- and- white, leading to the loss of many recordings made before early 1. Australian television converted to colour. The ABC continued erasing older television output until the late 1. Programmes known to have been lost include most studio segments and stories from the 1.

This Day Tonight and Monday Conference, hundreds of episodes of the long- running rural serial Bellbird, all but a handful of episodes of the early- 1. Watch By The Sea Online Hoyts here. Certain Women, an early- 1. Norman Lindsay's novels, and nearly all of the first 1. Countdown. Network Ten[edit]Many episodes of popular Australian commercial TV series are also lost. In the 1. 97. 0s, Network Ten had an official policy to reuse tapes; hence, many tapes of Young Talent Time and Number 9.

To this day, Network Ten still only keeps some of its programming.[citation needed] Other notable losses from the Ten archive include hundreds of episodes of the Melbourne- based pop music shows commissioned and broadcast by ATV- 0 Melbourne in the 1. The Go!! Show (1. Kommotion (1. 96. Uptight (1. 96. 8–7. Happening 7. 0s series (1. Nine Network[edit]The Nine Network discarded copies of some of their programs, including the popular GTV- 9 series In Melbourne Tonight hosted by Graham Kennedy.

Though it ran five nights a week from 1. Australia. Early episodes of Hey Hey It's Saturday do not exist because the programme was broadcast live and did not begin videotape recordings until a number of years later.

From 1. 96. 8–1. 96. Rede Tupi produced new episodes of the soap opera Beto Rockfeller by recording over previous episodes; as a result, few episodes survive. After the closure of TV Tupi in 1. São Paulo studios were transported to a warehouse in the São Paulo suburb of Cotia and were simply left to deteriorate there until they were recovered by the Cinemateca Brasileira in 1. TV Cultura in 1. 98. Only two Rede Tupi O& Os are known to have any preserved videotapes; TV Itacolomi's archives are now owned by the unrelated TV Alterosa, affiliated with SBT, whereas the few remaining tapes belonging to TV Piratini are stored privately in a museum in Porto Alegre, albeit in a heavily deteriorated state. Also, all the tapes at the Rede Tupi studios in Urca, Rio de Janeiro were later found to have been massively degraded by vinegar syndrome, hence they were unable to be restored.

Rede Record also lost much footage from the 1. MPB music festivals no longer exist, and the sitcom Família Trapo(pt) has only one surviving episode, featuring Pelé. Until 1. 99. 7, Rede Record had no policy on archiving videotapes; since then, at least 6. Instituto Ressoar(pt). Rede Globo lost the first 3. Fantástico and Jornal Nacional, in addition to many segments of their other soap operas as a result of wiping, and also due to three fires that occurred in 1. São Paulo studios), 1.

Rio de Janeiro studios) where in the 1. Most of Rede Excelsior's output was damaged in a fire in 1. Rede Excelsior programming were discovered in the archives of Rede Globo and Rede Gazeta and these tapes were restored by the Faculdade Cásper Líbero and subsequently donated to the Cinemateca Brasileira in 2. The Canadian Broadcasting Corporation never practiced wiping, and maintains a complete archive of all programming produced by them that was recorded.[4] A rare exception, however, is the 1. Video Hits, which the CBC says footage of said show does not exist in their archives, apart from a handful of short clips posted online.[5]The CTV Television Network has admitted to wiping many programmes during the 1. Because of Canadian content requirements, the need for Canadian- produced programming led to more preservation of the shows they produced, and even very poorly received programmes (such as the infamous The Trouble with Tracy) were saved and rerun for several years after their cancellation. Furthermore, Canadian rebroadcasts have been a source of some broadcasts that are otherwise lost in the United States and the United Kingdom.

Some TV stations in Japan practiced wiping, this example included the first anime adaption of Doraemon. Philippines[edit]Episodes from 1. Eat Bulaga!, have been lost. Another example of the wiping of TV archives in the Philippines was when martial law was declared, soldiers raided the ABS- CBN Broadcast Center and placed it under military control. As a result, ABS- CBN's pre- martial law archives, dating from 1. Due to its multiple studio facilities, namely its Chapultepec and San Angel studios, Televisa preserved most of its scripted series for broadcast years after the preserved programs had ended their original runs.

Some Televisa programs, however, were lost not due to wiping, but due to the 1. Mexico City earthquake that destroyed part of the network's archive.

However, smaller channels, such as XEIPN- TV and XHDF- TV, did not began to preserve their recorded broadcasts until the early 1. Monterrey's Multimedios Televisión keeps most of its programming, though some special historical programming dealing with its flagship station's history clearly shows that some footage has been either donated by viewers recorded from its original broadcast, or uses footage of its programming recorded by fans and uploaded to websites such as Dailymotion, Vimeo and You.

Tube. SFR Yugoslavia[edit]Yugoslav Radio Television (JRT) practiced wiping until the 1. United Kingdom[edit]The BBC, the United Kingdom's first public service broadcaster, had no policy on archiving until 1.

Much of the corporation's output between the 1. Rationales behind this policy include: Technological[edit]The BBC's television service dates back to 1. The hours of transmission were very limited and the bulk of the programming was transmitted either live from the studio, or from outside broadcast (OB) units; film was a minor contributor to the output. When the first television broadcasts were made, there were two competing systems in use. The EMI electronic system (using 4. Baird 2. 40- line mechanical television system.

Baird adopted an intermediate film technique where the live material was filmed using a standard film camera mounted on a large cabinet which contained a rapid processing unit and an early flying spot scanner to produce the video output for transmission. Watch Friday The 13Th Online Hoyts.