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The Lion King: Behind the scenes of the hit stage musical. In a secret bunker beneath the stage of London’s Lyceum Theatre, rows and rows of colourful and elaborate costumes are hanging from rails lining the walls. A large mirror with a string of illuminated light bulbs draped across it – yes we really are in Theatreland – is in the far corner and underneath it is a counter containing a selection of make- up bags with different names tagged to them. This is definitely a dressing up room for grown ups. Meanwhile, on the upper floors of the 1. Backstage in the dressing rooms, actors and dancers are starting to gather ahead of another show. Welcome to The Lion King, the hit musical which has been winning over audiences since it was first seen on Broadway in 1.

The West End production is in its 1. Lyceum and there is now also a touring show, which happens to be coming to the Wales Millennium Centre in Cardiff for Christmas 2. With 2. 3 large trucks to transport the sets, props and costumes around the country, Disney’s award- winning musical is the biggest production to ever tour the UK.“There are 5. Stephen Crocker, director of marketing for Disney Theatrical Group, who’s standing in the middle of the vast London stage.“The scale of the show will be the same in Cardiff but some things will be done a little differently,” he adds, pointing out that some of the technical aspects needed to be tweaked to fit with the venues on tour.“But we’ve found different ways of doing things without making compromises.”The tour opened in Bristol in 2. Manchester, Dublin, Birmingham and Edinburgh. It will be in Cardiff for two months after opening on November 6.“It’s such a big show that it needs to move quite slowly to allow as many people as possible to see it at each venue.”Video Loading. Video Unavailable.

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The video will start in 8. Cancel. The musical is, of course, based on Disney’s hit 1. Jeremy Irons and Matthew Broderick and tells the story of guilt- ridden lion cub Simba who is tricked into thinking he killed his father so flees into exile and abandons his identity as the future king. The stage adaptation, by director and co- designer Julie Taymor, is a feast for the senses, something which more than 7.

Exploding onto the stage in a glorious burst of sound and colour, it features the songs Circle Of Life, Hakuna Matata and the Oscar- winning Can You Feel The Love Tonight. But it is the glorious costumes, make- up and masks which leave me awestruck, especially when I discover just how much work, thought and effort goes into every single bead.“A total of 2. Crocker as we examine the costumes in the bunker – a space which has been created for quick changes between the scenes when there’s no time to return to the dressing rooms.

The costumes are carefully labelled with the actor’s/dancer’s name and all of them are hand- made from white fabric before they are dyed.“Each one is authentic and unique.”The ensemble members also wear beaded corsets which are made of fishbones, pieces of wood and glass and there are lots of African influences with each one representing a different tribal member.“When Julie Taymor was designing the show, nothing was left as random. Each costume has something to say about the character. Everything conveys a message to the audience – a lot of it is subliminal but it all helps to inform the audiences about the choices a character makes.”One of the make- up counters is situated close to the wings and I’m bemused to find that make- up brushes have been cleverly linked together so that the actors can apply five stripes of face paint in one swift movement. Nothing, it seems, has been overlooked.“During all of the quick changes they apply the make- up themselves so these tools have been created to they can swiftly apply five symmetrical stripes at the same time.”The costumes, masks and puppets are all taken care of by the teams based on the seventh floor. As you walk through the doors, you pass rows of big coloured crates labelled with names of creatures, such as ‘funky giraffe’ and ‘bird ladies’. There are large wooden tables where the items are painted and repaired – with so much wear and tear they need regular maintenance.

And there is always someone on hand during performances in case of emergencies. Nearby is the wardrobe department which is filled with boxes of tiny colourful beads, swatches of fabric, sewing machines and mannequins. There are also pots of paint which match the flesh tone of each cast member. Watch Alpha And Omega 3: The Great Wolf Games Online. These are used to create their footwear so that it appears they are bare footed on stage.“When they come back from their holiday with a sun tan they have to mix new paint to match their new skin colour – it’s a crazy world,” laughs Crocker. It certainly is – and one which thousands of fans throughout Wales will soon be able to experience for themselves.

The Lion King is at the Wales Millennium Centre, Cardiff from November 6 to January 1. Tickets go on sale on Tuesday at 8am (in person) and 1.